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Book Review by Alisha Amnesia
Monday August 30th, 2010

Culture Clash – Dread Meets Punk Rockers

By Don Letts with David Nobakht

I have always been interested in knowing more about Don Letts. From the time I first noticed his striking iconic image in books and footage surrounding the 77 UK Punk scene, with his dreadlocks and leopard vest, I wanted to know more about this intriguing contributor to early punk.

I knew from my voracious reading appetite of all the punk books I’ve been able to get my hands on in the last 2 decades, that Don Letts first became known in that scene as a DJ at the early punk gigs, and that he DJ’ed a lot of reggae, which was a prominent parallel force in early UK punk scene. I also knew that he made The Punk Rock Movie, which was the first of it’s kind, documenting the scene from the beginning, and that he went on to be a member of Big Audio Dynamite with Mick Jones of The Clash. I also knew he made an excellent Clash Documentary called Westway to the World.

That was really all I knew about him, and since I’ve always wanted to know more about him, I was thrilled to discover he has a new book out. The book revealed so much more about him. What I knew was only a mere scratch on the surface of Letts’ contribution to music, videos, and movies in the last three decades.

Letts’ story is unique and riveting—describing his background and experiences as a first-generation British-born black, as well as his stories of what London was like in the early punk days, his experiences visiting Jamaica with different companions and purposes in various time periods, 80s New York with The Clash, and working with a multitude of artists on videos and documentaries. His stories are extremely insightful and interesting; and he seemed to be both an insider and an outsider, both fitting and not fitting in various cultural scenarios. He’s had a truly impressive full life up to this point, and his voice throughout the book is extremely likable and intelligent.

Letts’ has worked with so many artists of varying genres, and accomplished so much as a filmmaker, even winning a Grammy. Personally, as a huge fan of The Clash, it was also really gripping reading about his relationships and experiences with them. He made most of the group’s music videos, which I was previously unaware of.

If you are a fan of Punk Rock, UK fashion, documentaries, self-made men, are interested in the unique racial perspectives of first-generation British-born blacks, Jamaican culture, reggae and its history, or interesting people in general, I highly recommend you read this book!

More on Letts:

http://en.wikipedia.org/wiki/Don_Letts

http://www.myspace.com/65223957

http://www.facebook.com/pages/don-letts/280834690245?ref=ts&v=wall

Filmography (as director)

Carnival! (2009)

Going Home/Made In Sheffield Tony Christie (2008)

Soul Britannia* (2007)

Rock It To Rio: Franz Ferdinand (2006)

Tales of Dr. Funkenstein: George Clinton (2006)

The Making of All Mod Cons: The Jam (2006)

Brother From Another Planet: Sun Ra (2005)

The Revolution Will Not Be Televised (Gil Scott-Heron) 2005

The Right Spectacle: The Very Best of Elvis Costello - The Videos (2005) (V)

Punk: Attitude (2005) (TV)

Making of 'London Calling': The Last Testament (2004) (V)

One Love (2003)

The Essential Clash (2003) (V)

The Pretenders: Greatest Hits (2000) (V) (video "Back on the Chain Gang")

 The Clash: Westway to the World (2000) (V)

Dancehall Queen (1997)

Dancing in the Streets:Planet Rock (1997) (TV)

The Pretenders: The Singles (1988) (V) (video "Back on the Chain Gang")

"Pass the Dutchie"* video for Musical Youth (1982)

The Punk Rock Movie (1978)

 

Movie Review by Alisha Amnesia
Friday March 26th, 2010

The Runaways movie

Debuts April 9 Everywhere
Written and Directed by Floria Sigismondi

This new movie, The Runaways has been making the Publicity rounds, with Joan Jett having performed on Leno and Letterman. I was anxiously awaiting its release after reading about it somewhere a long time ago. I joined the facebook page (http://www.facebook.com/RunawaysMovie?ref=ts), and couldn’t wait for it to debut in my city. I didn’t have high expectations of the film after I read some muted review beforehand, but I was really happy with this film.

First of all, the makeup, costuming, and styling were spot on. This really helped make the film believable. I went into this film wanting to like it, as I love and admire Joan Jett, and know that she was involved hands-on with coaching the actress Kristen Stewart, who portrayed her. I have to say, Kristen Stewart did a brilliant job. I don’t think many other actresses today could have pulled it off as well as she did. Not only was she believable as Jett, with her swagger and mannerisms, but her voice and looks also conveyed authenticity. I wonder what Joan Jett thinks? I think Stewart did Joan Jett and her fan base proud.

I was a little skeptical of Dakota Fanning playing Cherie Currie, for obvious reasons. She is adorable, young, and a very impressive young actress… Did I mention young?! (Haha, you get my point.) It’s not that I didn’t think she would be a good as an actress; it’s just that I wondered if she would be able to carry herself with enough tough sex appeal to be believable in the role.

I thought she did a very good job, but my assessment after seeing the film just once, is I think I’d give her 3 out of 4 stars. Although I thoroughly enjoyed her performance and respect her for taking a risky role, in all, I felt I was watching just that… a performance. Where as watching Kristen Stewart made me feel I was almost watching Joan Jett, watching Fanning felt like watching Fanning playing Currie.

These girls also had to do their own singing parts, which made their job as actors a lot harder than it may have been if they had the luxury of lip-synching. (I’m guessing this was due to some record company licensing BS). That makes the job they both did even more impressive to me. They did a really good job with their musical performances, especially considering the tough shoes they had to fill. (Fanning wasn’t the most amazing singer, but I don’ really think she has to be.)

The actor Michael Shannon, who played the Runaways’ manager, Kim Fowley, gave a brilliant performance from what I know as well. I actually met Fowley in Las Vegas at a weekend garage rock/ rock n roll music festival called the Las Vegas Rockaround sometime between 2002-2005. He approached me and made it known who he was, and why I should know him. He was wearing a garish chartreuse (neon yellow-green) suit, standing out just as he desired. He spent much of the weekend talking to rocker girls (myself, Austin Cool Girl Caroline, and former NYC Cool Girl Kitty Kowalski, among others). The ballsy opportunistic vibe I got from him that weekend was exactly the same vibe I saw conveyed on the screen by Michael Shannon; so as someone who briefly met Fowley, I found that portrayal amusingly accurate.

The film is overall fun to watch, and I really enjoyed the brief ride into what it may have been like to grow up in the 70s as one of the Runaways. I encourage music and movie fans to go see it.

-- Alisha Amnesia

http://www.runawaysmovie.com

CD Reviews by Laura Encarnado
Saturday May 17, 2009

Miss Derringer
Lullabies
$$$$$$

Oh how I love you. Remember what you felt when you listened to Hole's "Live Through This"? This is how I feel listening to this record. It's moody and dark, kinda Nick Cave like. I also get a bit of Angelfish in there too (remember Shirley Manson's previous band before Garbage?). It's almost as if you are in the same room. The group consists of Liz McGrath, Morgan Slade and Sylvain de Muizon. According to their band bio, "longtime collaborators Liz McGrath and Morgan Slade became husband and wife; but on Lullabies, the lovelorn heroine once again finds herself knee-deep in misfortune. The 13 songs document her love on the run, her passionate yet cruel man, his murder, and the longing for atonement that she can only express in song." Besides being a musican, Liz lended her creativity to the artwork too. I always love a band who care about what their album work looks like. It's very odd and I've never seen anything like it. Check them out ASAP.

-Laura Encarnado

www.missderringer.com
New Skin
Cleopatra Records
$$$$$$

Even though this is just a 3 song sampler from their forthcoming debut, they have my attention. It's a mix of Electro, rock and pop. It's almost trashy (in a good way!). I just want to get up and dance and sing alon and I don't even know the words to the songs yet. Produced by Dave Allen, everything is set to  perfection from the songs to the artwork. I can't wait to hear more from this group.

-Laura Encarnado

www.new-skin.co.uk
Stefy
The Orange Album
Wind-Up Records
$$$$$

If the Horrorpops went all electro, this is what you would get. It's fun and something you can dance too. I really dont know what else to say. I've been left speechless by what I'm listening too. They get extra kudos too for the Gwen Stefani reference in "Orange County"!!

-Laura Encarnado

stefytheband.com
The Twats
Hell In My Pants
Overdose on Records
$$$$$

The Twats own my twat. They're fast and something I've had alot lately: attitude. It's nice to hear something among the cds I got that tickles my fancy. The songs are very catchy, but not in a pop punk sense. This is pretty far from pop punk. There's not stupid songs about heartbreak or the girl of their dreams.
And yea, the band gets a milllllllllion brownie points for having a song called "Brotherly Love"....Philly represent!!!!!!

-Laura Encarnado

thetwats.org
 
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